BARK GREEN CONCERT – A CONCERT FOR DOGS AND CATS
Jenny Q Chai produced Bark Green Concert in Shanghai, to raise awareness for stray animals in China and our environment. It was reported by the NPR show The Next Stop to millions of viewers.
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Jenny creates Synesthesia Amusement Park Concert with her ensemble
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Transforming into a mermaid pianist, an intermedia concert with global warming theme with NASA data visualizations
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Jenny Q Chai invited by Tan Dun to perform at his International Music and Medicine Festival
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Jenny Q Chai appeared on San Francisco Classical Voice
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Dr. Jenny Q Chai will be giving two online piano workshops on Oct. 16 and Oct. 30 at 6PM PST, free to the public.
Workshop Link: https://berkeley.zoom.us/j/96678577445
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Upcoming Concert Tour and News
It’s time for another newsletter! Dear friends,It has been so long since my last newsletter. It has been a very active and productive time for me. Aside from my own internal growth and my school FaceArt, there’re some exciting news on my career I’d like to share with you all. With the support of my wonderful current management Ariel, I …
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Invitation to my NYC Le Poisson Rouge Concert Where is Chopin? with artificial intelligence program Antescofo
This Sunday at LPR, piano concert using cutting-edge music technology to highlight works by composers Jaroslaw Kapuscinski and Robert Schumann. Hello there,I hope you all had a wonderful holiday! Here’s an interview where I talk about the technical and programmatic ideas behind the program Where is Chopin? this Sunday.Hope to see you there!Love,jenny Where is Chopin?Presented at (le) poisson rouge NYC Sunday, January …
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The War Below
Visionary pianist Jenny Q Chai joins forces with New York Philharmonic musicians Quan Ge (violin), Jason You (violin), Cong Wu (viola), and Nathan Vickery (cello) in a program that explores friendship across life trajectories as well as musical conversation across time.
View PostJenny Q Chai’s Smart, Intuitive Carnegie Hall Debut
Pianist Jenny Q Chai’s Carnegie Hall debut last night was expertly programmed and packed with joie de vivre: she played as if she had a secret and couldn’t wait to share it with everybody. Her approach to a mix of premieres, 20th and 21st century compositions and an old High Romantic concert favorite matched fearsome technique to a confidently matter-of-fact …
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